The Lion, the Witch, and the Wardrobe Auditions Jan 25th
​Callbacks Jan 26th
PLOT
Place: A mansion, a wardrobe, the Land of Narnia.
Time: The 1940s
This dramatization of C.S. Lewis' classic, set in the land of Narnia,  recreates the magic and mystery of Aslan, the great lion, his struggle  with the White Witch, and the adventures of four children who inadvertently  wander from an old wardrobe into the exciting, never-to-be-forgotten Narnia.  The intense action features chases, duels and escapes as the witch is determined  to keep Narnia in her possession and to end the reign of Aslan. 
Picture
​CHARACTERS
Aslan – The long awaited Great Lion who has come to save Narnia from the curse of the White Witch.
White Witch - An evil queen who has placed Narnia under a spell, where it is always winter and never Christmas
Peter - The eldest Pevensie sibling, authoritative and kind
Susan - The second eldest Pevensie sibling, motherly and cautious
Edmund - The third Pevensie sibling, precocious and stubborn
Lucy - The youngest Pevensie sibling, sweet, innocent and curious
Mr. Tumnus - A faun in Narnia who assists the Pevensie’s, friendly and brave
Mr. Beaver - A grouchy, but helpful beaver
​Mrs. Beaver - A persnickety, but hospitable beaver
Unicorn - Forest animal awaiting the arrival of Aslan
Centaur - Forest animal awaiting the arrival of Aslan
​Fenris Ulf - A wolf, the head of the Witch’s police
Dwarf - The head servant of the Witch
Father Christmas - Santa Clause, the bringer of gifts
Elf - Father Christmas’ helper
White Stag - An elusive omen of good fortune
Extras - Aslan Followers - Forest animals, Witch’s Army - Evil villains, Wood Nymphs - Stage helpers

Before Auditions
  • Sign-up for an audition time in #8201. 
  • You can audition for any role
  • Prepare two contrast Monologues not to exceed 2-3 minutes (Contrasting styles examples: Classic or Contemporary (1950’s-current), Comedy or Drama, etc.).  
  • Recent Headshot
  • Resume
  • Acting Application (Found in #8201).

During your audition
  • Your audition begins immediately from your entrance and continues until you exit. 
  • Present strong, effective posture 
  • Enter and leave with confidence i.e. keep your head up, avoid looking at the floor. 
  • Keep your focus and energy. 
  • Do not use props or costumes. This is an audition, not a performance. Dress up.
  • After you finish, wait for a response from the adjudicator before you leave the room, even if it is just a “thank you.” 
  • Thank all panelists (i.e. adjudicator, director, stage manager etc.) ​